The African Children’s Choir
Thirty years ago, Ray Barnett was on a humanitarian trip to war-torn Uganda when he gave a small boy a ride from his decimated home to the safety of another village. During the journey, the child did what he knew how to do best – he sang. That simple song of dignity and hope became the catalyst for a program that has changed the lives of thousands of children and reshaped the future of the African continent.
“When I went back to Canada and people were not very interested in Uganda, I remembered this small boy,” Ray explained. “I knew that if only a group of these beautiful children could go to the West, people would be deeply moved and would certainly want to help.” From there the African Children’s Choir was born.
Described as “dazzling” by the New York Times, Makana is an internationally acclaimed guitarist, singer, composer and activist who is widely known for lending his musical talent for social change. He has been a TEDx talk presenter, and his guitar playing has been featured on three Grammy-nominated albums, including the soundtrack of the Academy-Award winning film “The Descendants”. In 2011, at the apex of the “Occupy Wall Street” movement, Makana’s song “We Are The Many” went viral on YouTube garnering more than half a million collective views and was coined the “Occupy Anthem” by Rolling Stone Magazine. His performance of the song at an APEC World Leaders’ Dinner hosted by the Obamas also went viral and became the #1 news story on Yahoo worldwide for two days, garnering appearances on CNN, BBC, ABC, Democracy Now!, Sean Hannity and other major news outlets. Makana’s captivating and wide-ranging performance style has led him to share the stage with Jason Mraz and Jack Johnson, open for music legends Sting, Carlos Santana and Elvis Costello, and perform in venues ranging from Asian and European opera houses to The White House. He has released 8 records to date and most recently a music video anthem, “Fire is Ours”, for Presidential candidate Bernie Sanders.
Photo Credit: Jeff Malin
Four quick “s” adjectives come to mind when you first hear Rebecca Angel, making for some nice descriptive alliteration: smooth, soulful, sensual and sultry. Listening to her soulfully produced and exquisitely arranged debut *What We Had*, we can top that off with sexy and unabashedly sentimental as well. The emerging NYC based singer makes every emotionally compelling track an invitation – to dream, to love, to reminisce wistfully about beautiful times gone by which infuse every waking thought of today. With every swaying breeze of her distinctive voice, whether she’s singing romantic lyrics or sharing her artful sense of vocalese, Rebecca tempts us to explore her cool and edgy contemporary update on the deeply exotic vibe of classic artists like Sade and Brazilian greats Bebel Gilberto and Astrud Gilberto.
When David Lanz recorded Cristofori’s Dream in 1988, he had a gut feeling that his newest album might be received by his growing legion of fans as his most realized work to date. Although the pianist and composer had released several albums previously, this one just felt special.
Lanz was right: Music lovers all over the world readily embraced Cristofori’s Dream—in fact, it became a sensation, topping Billboard magazine’s first Adult Alternative/New Age chart and remaining there for a remarkable 27 weeks, ultimately becoming a bona fide cornerstone of its genre.